Ⅳ. 3Lo 2A3T counter argument and overall Technical Analysis & GoE Comparison & PCS

TES and PCS

Written by Paige Summers in GoldenYuna

Web Edited by Ene  


You can download the original file updated by Paige Summers in May 23, 2014

- Full version (223MB)

Video & Gif & Image sources (352MB)

- Compatability pack for preview




II. WHY YUNA DIDN'T NEED 3LO/2A3T TO WIN


08. Step Sequence; Les Miserables & Sotnikova Short


Les Miserables StSq4   5.30 = 3.90 + 1.40


Sotnikova Short StSq4   5.40 = 3.90 + 1.50


Notice how Sotnikova extends her free leg ― leg with foot not on ice (called “swinging” ― specialty of ice dancing teams) A LOT but that is to hide her lack of edge control ― when non experts see her steps, they will think she did better because of her seemingly flamboyant free leg movement. ― looks like she did more, but it’s the deep edge use that counts towards step sequence level. It’s about how to do turns and steps with both side of edges and how to include body movement that will affect balance during the steps. GoE of 1.5 is bogus. +1.70 in FS Steps also was a massive bogus for the same reason.

Yuna is known for her deep & clean edge use during her step sequence . but she got level 3 on both short & long program step sequence.


Technical Specialist -in-training Tim Gerber’s analysis on Step Sequences


08. Step Sequence; Send In The Clowns StSq3 level 3

http://www.goldenskate.com/forum/showthread.php?49801-Analyzing-Sotnikova-and-Kim-s-footwork-in-the-FS/page45



1. Chasse, clockwise

2. Rocker, clockwise

3. Chasse, clockwise

4. Choctaw, counterclockwise

5. Chasse x2, counterclockwise

6. Mohawk, counterclockclockwise

7. Crossroll (executed with a spiral), counterclockwise

8. Curve with change of edge, clockwise - ATTEMPT, the edge is shaky and doesn't get onto the new edge long enough, rolling her back onto the starting edge (may count if not too strict)

9. Rocker, counterclockwise

10. Counter, clockwise

11. Rocker, clockwise

12. Free foot comes down onto the ice on flat of blade, changes over to inside edge

13. Chasse, clockwise

14. Three turn, clockwise

15. Twizzle x2, clockwise (however, the second one isn't actually complete)

16. Mohawk, clockwise

17. Toe step x2, clockwise

18. Mohawk, counterclockwise

19. Two-foot mini curve, counterclockwise

20. Choctaw-like step (was on two feet), clockwise (This can be argued for a Choctaw)

21. Cross step, clockwise

22. Counter, counterclockwise

23. Twizzle x2, counterclockwise

24. Three turn, counterclockwise

25. Rocker, counterclockwise

26. Two-foot curve on ice (into full stop), counterclockwise

27. Push onto RFO 28. Three turn, clockwise

29. Loop, clockwise

30. Two-foot push onto LFO, almost with a mini hop

31. Rocker, counterclockwise

32. Curve with change oaf edge, counterclockwise

33. Loop, counterclockwise

34. Chasse, counterclockwise

35. Cross step, counterclockwise

36. Toe hop, clockwise

37. Push with toepick onto new skating foot

38. Toe step, clockwise

39. Chasse x2, clockwise

40. Rocker, clockwise

41. Bracket, clockwise

42. Counter, clockwise 


She has 5 types of turns in both directions - Counter, Rocker, Twizzle, Three, Loop (Bracket would be here as well but her one shaky edge caused the turn to change to a Rocker) 

She has 2 types of steps in both directions - Chasse, Mohawk 


The one shaky edge cost her the level, by negating a step that she needed. I wonder if she was supposed to have another choctaw in there as well, though. It almost looked like she did one in a different direction during the second part of the sequence, but she was on two feet too long for it to count. That would have saved the level.


The “mistakes” or flaws #8 & #20 that Gerber mentions are counter-argued by “yyskate”on the same thread that Gerber posted his analysis on (Golden Skate);

“Yes, Yuna made a mistake there, if you watch her korean national SP step sequence, that part is suppose to be a curve with change edge + bracket. because of that mistake she lost the bracket and curve with change edge, both of which could be counted towards to levels. Although I still think the curve with change edge should still be counted if been lenient. I also think #20 should be counted as a choctaw step. I watched that step of her sochi performance and korean national one super slow-mo, they looked exactly the same to me, and the change of foot is pretty clear to me, and I dont see too foot during the change of foot. So I think the Sp step sequence is still level 4 even with that mistake and definitely will be a level 4 if lenient.I also tried to analyze Adelina's step sequence, but I give up, for the exact reasons you mentioned above, I dont know what level Adelina's step sequence will get, if we scrutinize hers using the same strict standard as we analyzing Yuna's here.”


Send In The Clowns StSq3   4.44 = 3.30 (Base Value lv.3) + 1.14


If this was properly graded as lv. 4,   5.50 = 3.90 (Base Value Lv.4) + 1.60

GoE 1.60 = (1.4*5+2.1*2)/7 

Yuna got three +3 GoE and six +2 GoEs - trimming out highest & lowest, 5 +2s and 2 +3s left. Scale of value translates +2 into 1.4 and +3 into 2.1 (lv.4)




08. Step Sequence; Adios Nonino StSq3 level 3

http://www.goldenskate.com/forum/showthread.php?49801-Analyzing-Sotnikova-s-FS-step-sequence&p=885819&viewfull=1#post885819



1.) Toe step, counterclockwise 

2.) Back edge pull with free foot toepick push, clockwise 

3.) Mohawk, clockwise 

4.) Waltz hop, clockwise

5.) Cross step, clockwise 

6.) Change of edge from inside to outside with free foot in quick ina position, counterclockwise 

7.) Change edge from outside to inside with free foot placed on ice 

8.) Rocker, clockwise 

9.) Bracket, clockwise 

10.) Counter, clockwise 

11.) Cross Roll, counterclockwise 

12.) Rocker, counterclockwise 

13.) Change edge from outside to inside 

14.) Loop, counterclockwise 

15.) Full turn on ice while changing feet, counterclockwise 

16.) Toe steps, clockwise 

17.) Rocker, clockwise 

18.) Cross step, counterclockwise 

19.) Choctaw executed with a hop, clockwise 

20.) Twizzle, clockwise 

21.) Chasse, clockwise 

22.) Choctaw, clockwise + Choctaw, counterclockwise 

23.) Top hop, counterclockwise 

24.) Twizzle, counterclockwise (x2) 

25.) Rocker, counterclockwise 

26.) Edge change from inside to outside 

27.) Three turn, counterclockwise 

28.) Brief back inside two foot glide with back free foot mini-kick 

29.) Choctaw, clockwise 

30.) Three turn, clockwise 

31.) Loop, clockwise 

32.) Toe hop, clockwise 

33.) Chasse, counterclockwise 

34.) Curve with change of edge, clockwise 

35.) Bracket, counterclockwise 

36.) Cross step, clockwise 

37.) Cross step, counterclockwise 

38.) Half turn and edge change from inside to outside with free foot push, clockwise 

39.) Toe step, clockwise 

40.) Counter, counterclockwise 

41.) Twizzle, counterclockwise (x2) 

42.) Three turn, counterclockwise 

43.) Rocker, counterclockwise 

44.) Half turn and edge change from inside to outside with free foot placed on ice, counterclockwise 45.) Change of foot with free foot push, counterclockwise 

46.) Illusion turn, counterclockwise 

47.) Chasse, counterclockwise 

48.) Toe step, clockwise 

49.) Cross step, counterclockwise

50.) Chasse, counterclockwise 

51.) Toe step, counterclockwise 


She has 6 types of turns in both directions - Rocker, Bracket, Twizzle, Loop, Counter, Three 

She had 4 types of steps in both directions - Toe hop, Toe step, Chasse, Choctaw 

She has full body rotation covering at least 1/3 of the pattern in total for each rotational direction. 

She most definitely has upper body movements for at least 1/3 of the pattern. 

She has 3 different combinations of three difficult turns executed with a clear rhythm. 

This footwork sequence is clearly Level 4.


Adios Nonino StSq3   4.44 = 3.30 (lv.3 BV) + 1.14


If this was properly awarded lv.4,   5.50 = 3.90 (lv.4 BV) + 1.60

GoE 1.60 = (1.4*5+2.1*2)/7

Yuna got three +3 GoE and six +2 GoEs - trimming out highest &lowest, 5 +2s and 2 +3s left. Scale of value translates +2 into 1.4 and +3 into 2.1 (lv.4)




08. Step Sequence Sotnikova FS StSq4 level 4

http://www.goldenskate.com/forum/showthread.php?49801-Analyzing-Sotnikova-and-Kim-s-footwork-in-the-FS



1.) Three Turn, counterclockwise (x2) 

2.) Curve with change of edge, clockwise 

3.) Twizzle, clockwise 

4). Toe Hop, counterlockwise 

5.) Rocker, counterclockwise 

6.) Change edge from inside to outside 

7.) Three Turn, clockwise 

8.) Twizzle, counterclockwise (barely makes it around and free foot comes down quickly) 

9.) Curve with change of edge, clockwise 

10.) Loop, clockwise 

11.) Three Turn, clockwise 

12.) Choctaw, counterclockwise 

13.) Illusion turn, counterclockwise 

14.) Toe Steps, clockwise 

15.) Rocker, clockwise 

16.) Counter, clockwise 

17.) Bracket, counterclockwise (FAILED attempt, edge is flat before the turn and unsteady on exit, with free foot coming down) 

18.) Mohawk, counterclockwise 

19.) Loop, counterclockwise 

20.) Toe Hop, clockwise 

21.) Chasse, clockwise 

22.) Rocker, clockwise 

23.) Rocker, counterclockwise (barely, edge is shallow and immediately changes over) 24.) Rocker, counterclockwise 

25.) Chasse, clockwise (x3) 

26.) Edge change from inside to outside 

27.) Edge change from outside to inside with free foot placed on ice 

28.) Rocker, clockwise (barely, edge is shallow and immediately changes over) 

29.) Three Turn, clockwise 


5 types of turns need to be executed in both directions. By my count Sotnikova only executed 4 types of turns in both directions - Three Turn, Rocker, Loop, and Twizzle (and this one is very questionable on the counterclockwise attempt). 

3 types of steps need to be executed in both directions and I only see 1 type of step executed in both directions - Toe Hop. 

She not only failed to achieve the #1 criteria for Level 4, but she also failed to achieve the #4 criteria. Other people who are able to, analyze this step sequence with me and let's uncover the truth.


Sotnikova FS StSq4 (should be lv.3)   5.60 = 3.90 (lv.4 BV) + 1.70

If this was properly awarded lv.3,   4.51 = 3.30 (lv.3 BV) + 1.21

GoE 1.21 = (1.0*4+1.5*3)/7

Sotnikova got four +3 GoE and four +2 GoEs and 1 +1 GoE - trimming out highest &lowest, 4 +2s and 3 +3s left. Scale of value translates +2 into 1.0 and +3 into 1.5 (level 3)





09. ChSq1


Les Miserables   3.60 = 2.00 + 1.60

Massive quality lunge, interprets music on a godly level


Adios Nonino   3.50 = 2.00 + 1.50

Nearly at the end of her program, she attacks her Choreo seq. with so much energy & speed with various moves executed with deep edge use and great sense of balance, in perfect sync with music


Sotnikova FS   3.50 = 2.00 + 1.50

Really? Spiral element and saying hi with your hand gets you high Chreo sq GoE??????? Without much elements packed into Choreo sq.?




10. Spins



This is a comparison between Layback spins of Kim and Sotnikova. You can see that Yuna has less range of travelling away from axis. It shows better centered control. But Yuna got less than 1 GoE.



Ⅴ. 3Lo 2A3T counter argument and overall Technical Analysis & GoE Comparison & PCS

TES and PCS

Written by Paige Summers in GoldenYuna

Web Edited by Ene  


You can download the original file updated by Paige Summers in May 23, 2014

- Full version (223MB)

Video & Gif & Image sources (352MB)

- Compatability pack for preview




III. PCS (PROGRAM COMPONENT SCORE)


PCS cover five areas


Skating Skills

Transitions/Linking Footwork/Movement

Performance / Execution

Choreography/Composition

Interpretation


http://iceskatingresources.org/ProgramComponents.html



01. Skating Skills


Definition: Overall skating quality: edge control and flow over the ice surface demonstrated by a command of the skating vocabulary (edges, steps, turns, etc.), the clarity of technique and use of effortless power to accelerate and vary speed.


Criteria: YUNA KIM


Balance, rhythmic knee action and precision of foot placement

Flow and effortless glide

Cleanness and sureness of deep edges, steps, turns

Power/energy and acceleration (Her effortlessness/poise degrades her power in the eye of the beholder, but she overflows with energy - her program’s filled with transitions/elements(restless) and she keeps great speed till the end

Mastery of multi-directional skating (Yuna fulfilled lv.4 step requirements 5 turns and 3 steps in both directions)

Mastery of one-foot skating

Equal mastery of technique by both partners shown in unison (pairs and ice dancing)

Balance in skating ability of individual skaters (synchronized)



* Jumping Technique

- Yuna’s jumps are textbook in terms of proper entry & posture & edge, speed & height, in-air position/axis, and stable landing. With Yuna, t’s very easy to tell the differences between different jumps.

Yuna’s skating skills worthy of 9.2~9.6 points



Criteria: SOTNIKOVA


Balance, rhythmic knee action and precision of foot placement

Flow and effortless glide (she stumbles in her footwork segment… lack of flow)

Cleanness and sureness of deep edges, steps, turns

Power/energy and acceleration (she does carry herself with energy)

Mastery of multi-directional skating (didn’t even fulfill 5 turns/3teps in both directions)

Mastery of one-foot skating (Lots of free leg swinging ? so she does A LOT of one foot element)

Equal mastery of technique by both partners shown in unison (pairs and ice dancing)

Balance in skating ability of individual skaters (synchronized)

* Jumping Technique

- Sotnikova’s toe jumps (Lz, F, T) are mostly pre-rotated and take-off with full blade (naturally looks like an Axel jump). And her blade jumps that take off with full blade (A, S, Lo) are unrecognizably similar that you can’t tell the difference. (you can barely tell from the entry ie) three turn before 3S, cross x shape for 3Lo)

Sotnikova’s skating skills worthy of 7~8 points




02. Transitions/Linking Footwork/Movement


Definition: The varied and/or intricate footwork, positions, movements and holds that link all elements. In singles, pairs and synchronized skating, this also includes the entrances and exits of technical elements. 


Criteria:

Variety

Difficulty

Intricacy




I’m not going to post all the transitions here, Adelina seems to have good amount of movements/transitions going in and out of the elements. Even more so than Yuna. (check out gifs of all the jumps and other elements) But if you look, only Yuna matched all the transitions with the music - the movements best complemented the tone of music ? make it a true part of her routine. And You’ll see that Yuna has better quality & flow of the transitions. Sotnikova does lots of three turns/movements in and out of elements but they are not with much quality and they are mismatched with music and they don’t help with the overall flow - it’s too much & overflowing & messy - don’t serve any purpose. But she got GoEs for supposedly difficult entry into the jumps when her jump themselves have cheating/bad technique.




03. Performance / Execution


Definition: Performance is the involvement of the skater/couple/teams physically, emotionally and intellectually as they translate the intent of the music and choreography. Execution is the quality of movement and precision in delivery. This includes harmony of movement in pairs, ice dancing and synchronized skating. 


Criteria: (I’ve removed pairs/synchronized criteria)

Physical, emotional and intellectual involvement

Style and individuality/personality

Clarity of movement

Variety and contrast

Projection - Very unfortunate that Kim skated in front of Russian crowd, waiting for Yuna to make mistakes (Adelina surely got lots of crowd response out of patriotism)


Look at the variety of tempos, rhythms, expressions, and characters/personalities - emotional connection, poise, style of tango/mature feminine - all of these translated into her intricate footwork & clean/clean-cut upper body movement requiring balance, tango moves give it a distinct style? again in full style. SHE DESERVED 9.5~10




04. Choreography/Composition


Definition: An intentional, developed and/or original arrangement of all types of movements according to the principles of proportion, unity, space, pattern, structure and phrasing. 


Criteria:

Purpose (idea, concept, vision); Yuna (Tango) Send In The Clowns (reminiscence of long lost love) Sotnikova??? Doesn’t have a clear concept… for both Carmen & Saint-Saens

Proportion (equal weight of parts) / Unity (purposeful threading)

Utilization of personal and public space

Pattern and ice coverage; Yuna tops Ice coverage ? she moves from one end of the rink to the other in a speed of light while executing her elements. Sotnikova lacks ice coverage.

Phrasing and form (movements and parts structured to match the phrasing of the music); Yuns’s every movement matches music ? Yuna incorporated tango moves into her routine, staying true to the music’s nature ? in perfect sync with tango melody (ie. Abrazo & Voleo in step sequence) Adelina had nothing that was dedicated to the essence of the music piece.

Originality of purpose, movement and design; Tango is often not a common choice for FS - the rhythm/tempo are dynamic ? meaning the music carries various tones - sadness, passion, etc. - hence, the music is very hard to interpret. Yuna included unique tango-on-ice moves that match the music perfectly.

Shared responsibility in achieving purpose (pairs, ice dancing and synchronized skating)

Yuna deserves 9.5~10 in this category


(from upper left; Abrazo, Voleo, Enrosque, Gancho)

So basically, Yuna evenly placed her elements and it would have taken her great energy to carry out all her elements till the end. Notice how she put her step sequence before half way point. It takes great energy out of you to cover ice and do steps/turns that require balance ? she does it for nearly a minute and then without a resting point she goes into 3Lz ? first jump past the half way point. Yuna didn’t play it safe at all ? this would have been very challenging.


On the other hand, Sotnikova stalls in the first half only completing three jumping elements (3-3, 3F, 3Lo) & spin ? Notice how it took her 30s to get to her 1st 3-3 jumps (she didn’t even cover ice for the 1st 15s) and after 3-3, it takes her another 30s to get to her 3F. Did she put any choreography in between there that interprets the music? Nope, not at all… just pointless transitions that still would count towards program component, but it is very cowardly to stall for so long because her lack of actual elements in 1st half was to save energy for the second half -she has difficult combinations planned for second half ? 2A3T, 3F2T2Lo. She planned to have these combinations in the second half for higher marks ? now, she wanted to save energy for those so she fills first half with lots and lots of transitions… Have Adelina do it in a similar order as Yuna ? do you think she can handle it? Also, she finishes all her jumping elements before 3 min into her program. No other skater has that composition of elements in their programs. Lastly, it was very cowardly of her to put Step sequence and ChSp1 back to back so people don’t notice that she lacks elements in her StSq. Her step sequence only lasted 25s vs Yuna’s 50s. And her Choreo sq wasn’t really Choreo sequence ? it was a 8s spiral ? nothing related to her music… How on earth can you call her program difficult? And how on earth did Adelina get over 70 PCS?




05. Interpretation


Definition: The personal and creative translation of the music to movement on ice.


Criteria:

- Effortless movement in time to the music;

- Expression of the music's style, character, rhythm;

- Use of finesse* to reflect the nuances of the music

- Relationship between the partners reflecting the character of the music (pairs, ice dancing and synchronized skating)

- Appropriateness of music in ice dancing, short dance and free dance


* Finesse is the skater's/team's refined, artful manipulation of nuances. Nuances are the personal artistic ways of bringing variations to the intensity, tempo and dynamics of the music made by the composer and/or musicians.


Again, this shows how Yuna reflected changing/dynamic tones/nuances of the music and made it all part of her character. You see how she marks the change of tempo/tone with various expressions. This piece of Adios Nonino is unique and creative in that it was colorful despite the overall sorrowful tone ? Piazolla wrote it in memory of his late father. (Moments like 2. and 4. ? bring a different dynamics/tempo from the original music piece.) And with Yuna’s interpretation, it comes natural to do a story telling from her various expressions (through her facial expressions/poses) THIS PROGRAM DESERVED 9.8~10 for interpretation.




I’m not even going to bother going into performance, choreography, interpretation with Sotnikova’s performance because it is an insult to even compare it with Yuna’s performance. All I’m going to say is that Sotnikova had a very weak program that doesn’t fulfill all the required criteria for program components. And she got one of the highest PCS (nearly perfect) simply for putting on a seemingly clean performance without a visible/major flaw (falls).




NOW, TO WRAP UP WITH WHAT SHOULD HAVE BEEN...


Total TES&PCS of both short program & FS after taking all technical errors into account and with more reasonable GoE


1. Judges in Sochi Scandal

Total Graphics



2. Irrational GOE to Sotnikova

Total Graphics



3. Comparison with World Championship 2013

Total Graphics



4. Base Value in SP and FS

Total Graphics




by FeverSkating

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